Download E-books Great Animal Drawings and Prints (Dover Fine Art, History of Art) PDF

By Carol Belanger Grafton

From Rembrandt's huge elephant and Toulouse-Lautrec's prancing circus steed to Rubens' masterly brush-and-ink examine of a lion, this precise assortment portrays all demeanour of creatures from the animal country. greater than a hundred royalty-free illustrations — 17 in colour — comprise significant works by means of: Hieronymus Bosch, Albrecht Dürer, Anthony van Dyck, Francisco Goya, Leonardo da Vinci, Pieter Bruegel the Elder, Diego Velazquez, Fra Bartolommeo, Katsushika Hokusai, John James Audubon, Edgar Degas, Pablo Picasso, and lots of different masters.
A impressive archive of rigorously chosen works by means of celebrated artists, from Renaissance luminaries to twentieth-century masters, this wealthy pictorial legacy could be prized by means of animal fans up to it will likely be valuable by way of devotees of excellent art.

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301 x 197 mm. 2 JOST AMMAN (1539–1591) Stag. Pen and black ink. 109 x ninety one mm. three ANDREA DEL SARTO (1486–1531) experiences of a puppy. pink chalk. a hundred ninety x 253 mm. four FRANCIS BARLOW (1626–1704) Elephant and Rhinoceros. Pen and wash. 250 x 185 mm. five FRA BARTOLOMMEO (1472–1517) St. George and the Dragon. Black, white, and yellowish chalk on grey ready paper. 317 x 272 mm. 6 ANTOINE-LOUIS BARYE (1796–1875) Jaguar. Pencil and watercolor. 253 x 247 mm. 7 STEFANO DELLA BELLA (1610–1674) The Eagles. Etching. 154 x one hundred twenty mm. eight ROSA BONHEUR (1822–1899) Bull Resting. delicate black pencil. 299 x 437 mm. nine HIERONYMUS BOSCH (c. 1450–1516) The Owl’s Nest. Pen and brown ink, laid down. one hundred forty x 196 mm. 10 EDMÉ BOUCHARDON (1698–1762) Bull’s Head. pink chalk. 607 x 454 mm. eleven FRANÇOIS BOUCHER (1703–1770) examine of a hen. Black, purple, and white chalk on brownish-gray paper. a hundred and seventy x 2 hundred mm. 12 PIETER BRUEGEL THE ELDER (1525/30–1569) Rider and Horses. Pen and bistre over black chalk. 164 x 184 mm. thirteen ANTONIO DEL CASTILLO (1616–1668) Camels. Quill pen. 166 x 246 mm. 14 THÉODORE CHASSÉRIAU (1819–1856) Amazon. Black crayon. 2 hundred x 270 mm. 15 GIORGIO DE CHIRICO (1888–1978) Cavalo. Charcoal on paper. 148 x 211 mm. sixteen ALLAERT CLAESZ (1498–1562) Rider. Pen and bistre wash. 323 x 312 mm. 17 CLAUDE (CLAUDE LORRAIN) (1600–1682) best: The Campo Vaccino with the Basilica of Constantine. Pen and bistre wash. 128 x ninety three mm. backside: Oxen coming near near a Mountain Lake. Pen and brown ink, and wash. 104 x one hundred fifty mm. 18 EDGAR DEGAS (1834–1917) Racehorse and Jockey. crimson chalk. 283 x 418 mm. 19 EDGAR DEGAS (1834–1917) examine for ‘Steeplechase—The Fallen Jockey’: the pony. Charcoal. 231 x 355 mm. 20 EUGÈNE DELACROIX (1798–1863) A Horseman. Pen and sepia wash. a hundred ninety x 230 mm. 21 GASPARE DIZIANI (1689–1767) Hermit and a Stag. Pen, brown ink and wash over crimson chalk on skinny ecru paper. 273 x 197 mm. 22 ALBRECHT DÜRER (1471–1528) Sketches of Animals and Landscapes (detail). Pen and black ink; blue, grey, and rose wash. 264 x 397 mm. 23 ALBRECHT DÜRER (1471–1528) The Knight on Horseback. Pen and brown ink with watercolor on white paper. 410 x 324 mm. 24 ALBRECHT DÜRER (1471–1528) Head of a Roebuck. Watercolor. 228 x 166 mm. 25 ALBRECHT DÜRER (1471–1528) The Italian Trophies. Pen and black ink on white paper, quite a few pentimenti. 432 x 316 mm. 26 ANTHONY VAN DYCK (1599–1641) reports of a Horse. Black chalk, with white chalk highlights, on blue paper. 429 x 366 mm. 27 ANTHONY VAN DYCK (1599–1641) reviews of the top of a Horse and of a guy on Horseback. Pen and brush in brown. 264 x a hundred sixty five mm. 28 ANTHONY VAN DYCK (1599–1641) reviews of a Greyhound. Black chalk, with white chalk highlights, on mild brown paper. 470 x 328 mm. 29 JEAN-LOUIS FORAIN (1852–1931) Equestrienne. Pen and brush and black ink, and watercolor. 264 x 333 mm. 30 JEAN-HONORÉ FRAGONARD (1732–1806) Bull in a strong (Taureau de los angeles Campagne Romaine). Bistre wash. 350 x 490 mm. 31 THOMAS GAINSBOROUGH (1727–1788) learn of a Bulldog. Black chalk, heightened with white chalk, and touched with brown chalk, on grey paper, discolored to buff. 314 x 244 mm. 32 JEAN-LOUIS-ANDRÉ-THÉODORE GÉRICAULT (1791–1824) fixed Officer of the Carabineers (Seen from the Back).

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